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※このページに書かれている内容は http //www.boost.org/doc/libs/1_38_0/libs/multi_index/doc/index.html を参考にしていますが、推測も多く含まれています。 概要 下図が示す通りです。詳細な説明は Boost.org にあります。 画像はBoost.orgより。 名前空間 multi_index関連のものは基本的に名前空間boost multi_index内で定義されている。 コンテナであるmulti_index_containerは名前空間boostでusingされているので、 boost multi_index_containerでアクセスできる。 ヘッダ コンテナ boost/multi_index_container.hpp multi_index_containerを使用する インデックス boost/multi_index/ordered_index.hpp setやmapのように整列されたインデックスを使用する。ordered_unique, ordered_non_unique boost/multi_index/hashed_index.hpp ハッシュをキーに持つインデックスを使用する。hashed_unique, hashed_non_unique boost/multi_index/sequenced_index.hpp listのような順番にアクセスするインデックスを使用する。sequenced boost/multi_index/random_access_index.hpp vectorのようなランダムアクセスが可能なインデックスを使用する。random_access ソート方法 boost/multi_index/key_extractors.hpp 以下のヘッダ全てをインクルードする boost/multi_index/identity.hpp 要素のクラス(インスタンス)同士を比較する場合に必要 boost/multi_index/member 要素のフィールドを比較する場合に必要 boost/multi_index/mem_fun.hpp 要素のメンバ関数で比較する場合に必要 boost/multi_index/global_fun.hpp グローバルな関数で比較する場合に必要 boost/multi_index/composite_key.hpp 複数の条件で比較する( 参考 )場合に必要 コンテナ (multi_index_container) デフォルトではstd setのような振舞いになる。 indexed_by の中に使用したいインデックスを追加することで、 内部に複数のコンテナを保持しているかのように振舞うことができる。 template typename Value, typename IndexSpecifierList=indexed_by ordered_unique identity Value , typename Allocator=std allocator Value class multi_index_container; インデックス 使用する側から見れば、multi_index_containerが内部に持つコンテナのようなもの。 実際は複数のコンテナを保持している訳ではない。 おそらく現在のところ、用意されているのは ordered_unique ordered_non_unique hashed_unique hashed_non_unique sequenced random_access の6つ。 indexed_by の中に並べることで使用可能になる。 type specifier key-based ordered ordered_unique ordered_non_unique hashed hashed_unique hashed_non_unique non key-based sequenced random_access ordered_unique, ordered_non_unique キーの値を基に自動的にソートされるインデックス。 ordered_uniqueは重複を許さない。 ordered_non_uniqueは重複を許す。 template typename KeyFromValue, typename Compare=std less KeyFromValue result_type struct (ordered_unique | ordered_non_unique); template typename TagList, typename KeyFromValue, typename Compare=std less KeyFromValue result_type struct (ordered_unique | ordered_non_unique); hashed_unique, hashed_non_unique キーから作られるハッシュで管理するインデックス。いわゆる連想配列。当然、要素の順番は不定。 template typename KeyFromValue, typename Hash=boost hash KeyFromValue result_type , typename Pred=std equal_to KeyFromValue result_type struct (hashed_unique | hashed_non_unique); template typename TagList, typename KeyFromValue, typename Hash=boost hash KeyFromValue result_type , typename Pred=std equal_to KeyFromValue result_type struct (hashed_unique | hashed_non_unique); - - テンプレート引数 制限 - - Value - - Allocator - - TagList - - KeyFromValue - - Hash - - Pred - 可視性 ベースクラス 機能 - 可視性 型名 元の型名 - public key_type KeyFromValue result_type - public value_type Value - public key_from_value KeyFromValue - public hasher Hash - public key_equal Pred - public ctor_args tuple size_type,key_from_value,hasher,key_equal - public allocator_type Allocator - public pointer Allocator pointer - public const_pointer Allocator const_pointer - public reference Allocator reference - public const_reference Allocator const_reference - public size_type implementation defined - public difference_type implementation defined - public iterator implementation defined - public const_iterator implementation defined - public local_iterator implementation defined - public const_local_iterator implementation defined 静的／仮想 可視性 関数 機能 - public operator=() - public get_allocator() const - public empty() const - public size() const - public max_size() const - public begin() - public begin() const - public end() - public end() const - public cbegin() const - public cend() const - public iterator_to() - public iterator_to() const - public insert() modifiers - public erase() - public replace() - public modify() - public modify_key() - public clear() - public swap() - public key_extractor() const observers - public hash_function() const - public key_eq() const - public find() const lookup - public count() const - public equal_range() const - public bucket_count() const bucket interface - public max_bucket_count() const - public bucket_size() const - public bucket() const - public load_factor() const hash policy - public max_load_factor() const - public rehash(size_type n) 静的 可視性 フィールド 用途 クラス 可視性 機能 sequenced std listのように順番を保つインデックス。ソートの必要がある場合は手動で行う。 template typename TagList=tag struct sequenced; random_access std vectorのようにランダムアクセスが可能なインデックス。 template typename TagList=tag struct random_access; Key Extractors キーを持つインデックス (ordered_unique, ordered_non_unique, hashed_unique, hashed_non_unique) について、キーの指定方法を指定する。 基本的な指定方法は以下の6つ。 identity member const_mem_fun mem_fun global_fun composite_key identity template typename T struct identity; member, member_offset template class Class,typename Type,Type Class *PtrToMember struct member; template class Class,typename Type,std size_t OffsetOfMember struct member_offset; #define BOOST_MULTI_INDEX_MEMBER(Class,Type,MemberName) implementation defined const_mem_fun, mem_fun, const_mem_fun_explicit, mem_fun_explicit template class Class,typename Type,Type (Class *PtrToMemberFunction)() const struct const_mem_fun; template class Class, typename Type, Type (Class *PtrToMemberFunction)() struct mem_fun; template class Class, typename Type, typename PtrToMemberFunctionType, PtrToMemberFunctionType PtrToMemberFunction struct const_mem_fun_explicit; template class Class,typename Type, typename PtrToMemberFunctionType,PtrToMemberFunctionType PtrToMemberFunction struct mem_fun_explicit; #define BOOST_MULTI_INDEX_CONST_MEM_FUN(Class, Type, MemberFunName) \ implementation defined #define BOOST_MULTI_INDEX_MEM_FUN(Class, Type, MemberFunName) \ implementation defined global_fun template class Value,typename Type,Type (*PtrToFunction)(Value) struct global_fun; composite_key template typename Value,typename KeyFromValue0,...,typename KeyFromValuen struct composite_key; template typename CompositeKey struct composite_key_result; その他 indexed_by multi_index_containerが持つデータ群にアクセスする複数のインデックス(インターフェース)を持たせるために使用する。 multi_index_container 要素の型, indexed_by 0番目のインデックス, // 例えばsequenced 1番目のインデックス, // 例えばordered_unique ... ... tag インデックスに任意の型のタグを設定する。 multi_index_containerはget ()メソッドを使ってインデックスを取得できる。 typedef multi_index_container 要素の型, indexed_by sequenced , // 0番目のインデックス ordered_unique ... // 1番目のインデックス ... Container; Container container; ... Container nth_index 0 type index0 = container.get 0 (); Container nth_index 1 type index1 = container.get 1 (); ... 上記の例では0番目のインデックスと1番目のインデックスを取得している。 Container nth_index 0 type がインデックスの型。 これはタグ付けすると以下のようになる。 typedef multi_index_container 要素の型, indexed_by sequenced tag 型A , // 0番目のインデックス ordered_unique tag 型B , ... // 1番目のインデックス ... Container; Container container; ... Container index 型A type index0 = container.get 型A (); Container index 型B type index1 = container.get 型B (); ... この場合、Container index 型A type がインデックスの型。 タグは型名にのみ意味を持つので、空の構造体などでもよい。 [09/02/26 21 58][][編集]
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接続ファイル ?xml version="1.0" encoding="utf-8" standalone="no"? connects connect enable="false" label 2ch書き込み(初回忍法帳作成用) /label tpl 2ch_write_eat_cookie.tpl.xml /tpl variables !-- 書き込み対象のスレッドのURLです。 -- variable name="ThreadURL" http //XXXXXX.2ch.net/test/read.cgi/XXXXXXX/12345678/ /variable !-- スレッドの投稿先です。 スレッドURLと同じサブドメインを指定してください。 -- variable name="WriteURL" http //XXXXXX.2ch.net/test/bbs.cgi?guid=ON /variable !-- 書き込みの間隔(秒)です。 数字のみ、または"1-5"のように指定も出来ます。 -- variable name="Interval" 10 /variable !-- 投稿メッセージです。HTML特殊文字はエスケープしてください。(例えば " " は " " にする。 -- variable name="VarMESSAGE" 書き込み本文(・∀・) /variable /variables cookieId 2ch-write /cookieId /connect connect label 2ch書き込み /label tpl 2ch_write.tpl.xml /tpl variables !-- 書き込み対象のスレッドのURLです。 -- variable name="ThreadURL" http //XXXXXX.2ch.net/test/read.cgi/XXXXXXX/12345678/ /variable !-- スレッドの投稿先です。 スレッドURLと同じサブドメインを指定してください。 -- variable name="WriteURL" http //XXXXXX.2ch.net/test/bbs.cgi?guid=ON /variable !-- 書き込みの間隔(秒)です。 数字のみ、または"1-5"のように指定も出来ます。 -- variable name="Interval" 10 /variable !-- メール欄 -- variable name="VarMAIL" sage /variable !-- 投稿メッセージです。HTML特殊文字はエスケープしてください。(例えば " " は " " にする。 -- variable name="VarMESSAGE" 書き込み本文(・∀・) /variable /variables cookieId 2ch-write /cookieId /connect /connects リクエストファイル - 2ch_write_eat_cookie.tpl.xml ?xml version="1.0" encoding="utf-8" standalone="no"? requests default encoding="shift-jis" url http //exsample-domain/ /url method GET /method interval 1-3 /interval headers header name="Accept" text/html,application/xhtml+xml,application/xml;q=0.9,*/*;q=0.8 /header header name="Accept-Encoding" gzip, deflate /header header name="Accept-Language" ja,en-us;q=0.7,en;q=0.3e /header header name="Connection" keep-alive /header header name="User-Agent" Mozilla/5.0 (Windows NT 5.1; rv 12.0) Gecko/20100101 Firefox/12.0 /header /headers response charset="shift-jis" /response /default request label スレ /label url {%ThreadURL%} /url method GET /method response getInputValue name="bbs" varName="VarBBS" / getInputValue name="key" varName="VarKEY" / getInputValue name="time" varName="VarTIME" / getInputValue name="submit" varName="VarSUBMIG" / /response /request request label 書き込み確認 /label url {%WriteURL%} /url method POST /method headers header name="Referer" {%ThreadURL%} /header /headers params param name="FROM" /param param name="MESSAGE" {%VarMESSAGE%} /param param name="bbs" {%VarBBS%} /param param name="key" {%VarKEY%} /param param name="mail" {%VarMAIL%} /param param name="submit" {%VarSUBMIG%} /param param name="time" {%VarTIME%} /param /params response getInputValue name="yuki" varName="VarYUKI" / getInputValue name="key" varName="VarKEY" / getInputValue name="time" varName="VarTIME" / getInputValue name="submit" varName="VarSUBMIG" / /response /request request label 書き込み /label url {%WriteURL%} /url method POST /method interval {%Interval%} /interval headers header name="Referer" {%WriteURL%} /header /headers params param name="FROM" /param param name="subject" /param param name="MESSAGE" {%VarMESSAGE%} /param param name="bbs" {%VarBBS%} /param param name="key" {%VarKEY%} /param param name="mail" {%VarMAIL%} /param param name="submit" {%VarSUBMIG%} /param param name="time" {%VarTIME%} /param param name="yuki" {%VarYUKI%} /param /params /request !-- 忍法帖作成完了後 -- request label スレ /label url {%ThreadURL%} /url method GET /method response getInputValue name="bbs" varName="VarBBS" / getInputValue name="key" varName="VarKEY" / getInputValue name="time" varName="VarTIME" / getInputValue name="submit" varName="VarSUBMIG" / /response /request request label 書き込み確認 /label url {%WriteURL%} /url method POST /method headers header name="Referer" {%ThreadURL%} /header /headers params param name="FROM" /param param name="MESSAGE" {%VarMESSAGE%} /param param name="bbs" {%VarBBS%} /param param name="key" {%VarKEY%} /param param name="mail" {%VarMAIL%} /param param name="submit" {%VarSUBMIG%} /param param name="time" {%VarTIME%} /param /params response getInputValue name="yuki" varName="VarYUKI" / getInputValue name="key" varName="VarKEY" / getInputValue name="time" varName="VarTIME" / getInputValue name="submit" varName="VarSUBMIG" / getInputValue name="MESSAGE" varName="VarMESSAGE" / /response /request request label 書き込み /label url {%WriteURL%} /url method POST /method interval {%Interval%} /interval headers header name="Referer" {%WriteURL%} /header /headers params param name="FROM" /param param name="subject" /param param name="MESSAGE" {%VarMESSAGE%} /param param name="bbs" {%VarBBS%} /param param name="key" {%VarKEY%} /param param name="mail" {%VarMAIL%} /param param name="submit" {%VarSUBMIG%} /param param name="time" {%VarTIME%} /param param name="yuki" {%VarYUKI%} /param /params /request /requests リクエストファイル - 2ch_write.tpl.xml ?xml version="1.0" encoding="utf-8" standalone="no"? requests default encoding="shift-jis" url http //exsample-domain/ /url method GET /method interval 1-3 /interval headers header name="Accept" text/html,application/xhtml+xml,application/xml;q=0.9,*/*;q=0.8 /header header name="Accept-Encoding" gzip, deflate /header header name="Accept-Language" ja,en-us;q=0.7,en;q=0.3e /header header name="Connection" keep-alive /header header name="User-Agent" Mozilla/5.0 (Windows NT 5.1; rv 12.0) Gecko/20100101 Firefox/12.0 /header /headers response charset="Shift_JIS" /response /default !-- 1res -- request label スレ /label url {%ThreadURL%} /url method GET /method response charset="shift-jis" getInputValue name="bbs" varName="VarBBS" / getInputValue name="key" varName="VarKEY" / getInputValue name="time" varName="VarTIME" / getInputValue name="submit" varName="VarSUBMIG" / /response /request request label 書き込み /label url {%WriteURL%} /url method POST /method interval {%Interval%} /interval headers header name="Referer" {%WriteURL%} /header /headers params param name="FROM" /param param name="MESSAGE" {%VarMESSAGE%} /param param name="bbs" {%VarBBS%} /param param name="key" {%VarKEY%} /param param name="mail" {%VarMAIL%} /param param name="submit" {%VarSUBMIG%} /param param name="time" {%VarTIME%} /param /params /request /requests *コメント DueuUGQPLQOlQ -- gfvuimlrtni (2014-12-13 11 07 09) 名前 コメント
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Moving Learning 3e Ctb IBM 5.25 Nichols Chilton's 1991 Maintenance Lamp Reset Procedures Motor Age Professional Technician's Edition Covers All Cars and Trucks Chilton Book Company Toefl Test of English As a Foreign Language Edith H. Babin?Carole Cordes?Harriet Nichols? Chilton's Import Labor Guide and Parts Manual/1988-1992 Motor Age Professional Technician's Edition (Chilton's Import Labor Guide and Parts Manual) Dean F. Morgantini Moving Learning 3e Ctb IBM 3.5 Nichols Feeling You're Behind Peter Nichols? Chilton's Repair Manual Celebrity/Century/Cutlass Ciera/6000 1982-92 (Chilton's Repair Manual (Model Specific)) Chilton Book Company International Marketing Communications Tom Griffin? No Hickory, No Dickory, No Dock (Puffin Books) John Agard?Grace Nichols? Moving Learning Comptest Apple Nichols Give Yourself a Hug (Puffin Poetry) Grace Nichols?Kim Harley? International Business Strategy Werner Ketelhohn? Battle of the Stallions (King of the Wind Storybooks) Catherine Nichols?Steven James Petruccio? Selecting Training Methods (The Competent Trainer's Toolkit) David G. Reay? The Auction (Misty Picture Books) Marguerite Henry?Joan Nichols?Stephen Moore? The Capture (Misty Picture Books) Marguerite Henry?Joan Nichols?Stephen Moore? Evaluating Training (The Competent Trainer's Toolkit) David G. Reay? The Whirlpool (Misty Picture Books) Marguerite Henry?Joan Nichols?Stephen Moore? Animal Masterminds A Chapter Book (True Tales) Catherine Nichols? Identifying Training Needs Finding Out What People Need to Know and Why (The Competent Trainer's Toolkit Series) David G. Reay? Implementing Training (The Competent Trainer's Toolkit) David G. Reay? Planning a Training Strategy (The Competent Trainer's Toolkit) David G. Reay? Understanding How People Learn (The Competent Trainer's Toolkit) David G. Reay? Mercersburg Theology (Library of Protestant Thought) James Hastings Nichols? Understanding the Training Function (The Competent Trainer's Toolkit Series) David G. Reay? Analisis Psicologico de La Crisis de Los 40 Anos / Psychological Analysis of the Crisis of Turning 40 Michael P. Nichols? Encuentro En Las Pleyades Peter Moon?Preston B. Nichols? Managing People Your Self Development Action Plan (The Managers Toolkit Series) Peter Grainger? Managing Resources Your Self Development Workbook (The Manager's Toolkit Series) Peter Grainger? Chilton's Bmw 318/325/M3/525/535/M5 1989-93 Repair Manual (Chilton's Total Car Care) Benjamin E. Greisler? Chilton's Ford Thunderbird/Mercury Cougar 1983-92 Repair Manual (Chilton's Total Car Care) Chilton's Ford Ford Tempo/Mercury Topaz, 1984-92 Repair Manual (Total Car Care) Chilton s Automotive Editorial Dept? Chilton's Motor Age 1993 Service Bay Handbook for Technicians/Domestic Import Cars Trucks (Chilton's Service Bay Handbook) Kerry A. FreemanPeter M. ContiW. Calvin Settle Chilton's Repair Manual Calais Grand Am Skylark Somerset 1985-92 (Chilton's Repair Manual (Model Specific)) Steve Horner?John Rutter? Chilton's Repair Manual Nissan Stanza/2002X/240Sx 1982-92 All U.S. and Canadian Models (Chilton's Repair Manual (Model Specific)) Chilton Book Company Chilton's Repair Manual Ford Probe 1989-92 All U.S. and Canadian Models of Ford Probe (Chilton's Repair Manual (Model Specific)) Michael L. Grady Chilton's General Motors Repair Manual 1988-1992 (Chilton's Chevrolet Repair Manual) Chilton Book Company Chilton's Chrysler Dodge/Plymouth Repair Manual 1988-1992/Part No, 8320 (Chilton's Chrysler/Dodge/Plymouth Repair Manual) Dean F. MorgantiniRichard J. RiveleNick D Andrea Chilton's Toyota/Lexus Repair Manual, 1988-1992 Complete Service Information for All Models--Cars and Light Trucks Kerry A. Freeman Chilton's Nissan/Infiniti Repair Manual, 1988-92 (Chilton's Manufacturer-Specific Repair Manual) Chilton's Small Engine Repair 2 Hp to 12 Hp/Repair, Maintenance, and Service Information for 2- And 4- Stroke Engines/Briggs Stratton Clinton Kohler Tecums (Small Engine Repair, 2 Hp to 12 Hp) Richard J. Rivele Chilton's Small Engine Repair 13 Hp to 20 Hp (Small Engine Repair, 13hp to 20hp) Richard J. Rivele Chilton's Toyota Corolla 1990-93 Repair Manual (Chilton's Total Car Care Repair Manual) Kerry A. Freeman Chilton's Ford Crown Victoria/Grand Marquis 1989-93 Repair Manual (Chilton's Total Car Care Repair Manual) W. Calvin SettlePeter M. ContiNick D AndreaChilton Book CompanyKerry A. FreemanDebra Gaffney Chilton's General Motors Deville/Fleetwood/Eldorado/Seville 1990-93 Repair Manual (Chilton's Total Car Care Part No 8420) Michael L. GradyMartin J. Gunther Chilton's Volkswagen Golf/Jetta/Cabriolet 1990-93 Repair Manual (Chilton's Total Car Care) Kerry A. Freeman Mysterious Creatures A Chapter Book (True Tales Exploration and Discovery) Catherine Nichols? Chilton's Gm H-Body - Bonneville - Olds 88 - Lesabre, 1988-93 (Chilton's Repair Tune-Up Guides) Chilton Book CompanyChilton s Automotives Editorial?The Nichols/Chilton? Chilton's Chevrolet/Geo Spectrum and Storm 1985-93 Repair Manual Kerry A. FreemanNick D Andrea Chilton's General Motors Chevy/Gmc Full Size Trucks 1988-93 Repair Manual/Part No8055 (Chilton's Total Car Care Series) Chilton's Ford Full Size Trucks 1987-93 Repair Manual (Chilton's Total Car Care) Kerry A. FreemanPeter M. Conti Chilton's Ford Pick-Ups Bronco 1987-93 (Chilton Model Specific Automotive Repair Manuals) Chilton Book CompanyThe Nichols/Chilton? Chilton's General Motors Pontiac Firebird 1982-94 Repair Manual Pontiac Firebird 1982-94 (Chilton's Total Car Care Repair Manual) Will Kessler? Chilton's General Motors Chevy S10/Gmc S15 Pick-Ups 1982-94 Repair Manual (Chilton's Total Car Care Repair Manual) Kevin M. G. Maher Chilton's Ford Bronco Ii/Explorer/Ranger 1983-94 Repair Manual (Chilton's Total Car Care Repair Manual) Kerry A. Freeman Chilton's Ford Ranger - Bronco II - Explorer 1983-94 Chilton Book Company Chilton's Chrysler Caravan and Voyager 1984-94 Repair Manual (Chilton's Total Car Care Repair Manual) Kerry A. FreemanMartin J. Gunther Chilton's Isuzu 1981-1991 (Chilton Model Specific Automotive Repair Manuals) Chilton Book CompanyThe Nichols/Chilton? Chilton's Repair Manual Mitsubishi 1985-89 Covers All U.S. and Canadian Models of Galant, Mirage, Precis, Sigma (Chilton's Repair Manual (Model Specific)) Chilton Book Company Chilton's Ford Taurus/Mercury Sable, 1986-92 Repair Manual (Chilton's Total Car Care) Chilton s Automotive Editorial Dept? Chilton's General Motors Celebrity/Century/Cutlass Ciera/6000 1982-92 Repair Manual (Total Car Care Part No 8252) Chilton s Automotive Editorial Dept? Chilton's Ford Ford Mustang 1989-92 Repair Manual (Chilton's Total Car Care) Chilton s Automotive Editorial Dept? Chilton's Honda Accord/Prelude, 1984-91 Repair Manual (Chilton's Total Car Care Repair Manual) Chilton Book Company Chilton's General Motors Lumina/Grand Prix/Cutlass Supreme/Regal, 1988-92 Repair Manual (Chilton's Total Car Care) Chilton s Automotive Editorial Dept? Chilton's Toyota Toyota Camry 1983-92 Repair Manual (Chilton's Total Car Care) Dean F. Morgantini Chilton's Chrysler Front Wheel Drive 1981-91 Repair Manual (Chilton's Total Car Care Repair Manual) Chilton Book Company
https://w.atwiki.jp/cod4mod/pages/42.html
Reflection Probes Proper use of reflection probes are necessary for both SP and MP maps in order for reflective surfaces to correctly reflect nearby geo. If a map is compiled without any reflection probes, the entire world will be tinted red. 反射面が正しく近くのgeoを反映するのに反射徹底的調査の適切な使用がSPとMP地図の両方に必要です。地図が少しも反射徹底的調査なしで編集されると、全世界は色をつけられた赤になるでしょう。 In order to place a reflection probe, right-click in the 2D view and left-click reflection_probe. 秩序の中に反射探査を置くために、２Ｄの中に表示と左クリックreflection_probeを右-クリックしてください。 Reflection probes count towards total image counts and memory, so it s wise to not overuse them. However, enough need to be placed to ensure accurate reflections throughout the map. An average map count would generally be around 10-50. MP maps usually have fewer than SP maps because of the increased amount of items being loaded into memory for multiplayer maps. 反射徹底的調査が総イメージカウントとメモリに向かって重要であるので、それらを酷使しないのは賢明です。 しかしながら、十分は、マップ中で正確な反射を確実にするために置かれる必要があります。 一般に、平均したマップカウントはおよそ10-50でしょう。 通常、MPマップは、マルチプレーヤーマップのためのメモリにロードされながら、増加する量の項目によるSPマップよりそうしていません。 A good guideline is having a reflection probe in each portaled area. If multiple reflection probes are in a single portaled area, it could cause some ugly seams in reflective surfaces in that area. 良いガイドラインで、反射はそれぞれの入り口の地域で調べられています。 多重反射徹底的調査がただ一つの入り口の地域にあるなら、それはその領域の中の反射面のいくつかの醜い継ぎ目を引き起こす場合がありました。 Try to place reflection probes next to the shiniest / most reflective objects in that area. その領域で最も輝いているか最も反射的な物の横の反射探測装置を置くようにしてください。 After placing reflection probes, it is necessary to compile reflections using the compile tools. This does not require a full map compile. Instructions on compiling reflections are located in the Compile Tools section. 反射探測装置を置いた後に反射をコンパイルするのが使用することで必要である、ツールをコンパイルしてください。 これは地図がコンパイルする満を必要としません。 反射をコンパイルする指示はCompile Tools部に位置しています。 Compile Tools (Original "http //www.infinityward.com/wiki/index.php?title=Reflection_Probes") 名前 すべて読む
https://w.atwiki.jp/wikimm/pages/126.html
DaVinci Resolve DaVinci Resolve 18 プロジェクト設定 MrAlexTechSeamless トランジションパック ファイル名 MrAlexTechSeamless MrAlexTechSeamless説明 D \Program\Blackmagic Design\DaVinci Resolve OpenCL 01 .dll After Effects Free 素材 [After Effects Free 素材 https //www.premiumbeat.com/blog/category/after-effects/] 単色背景を作りたい！２パターン紹介 https //start-fromscratch.com/blog/davinciresolve-background/ 動画編集 1回 メディアページ編 https //tokyohappendix.com/editing-tips/dr_mediapage DaVinci Resolve 16 データベースの保存場所 https //furutao.com/blog/2019/11/24/davinci-resolve-01-where-db-files/ DaVinci Resolve17のプロジェクトの保存先 https //oiuy.net/archives/9719 DaVinci Resolveのプロジェクトファイルの保存先 https //sumizoon.hatenablog.com/entry/2019/06/11/200601 DaVinci Resolveでプロジェクトファイルを受け渡す2つの方法 https //vook.vc/n/2149 DaVinci Resolve 無償で高機能な動画編集ソフトについて https //www.pc-koubou.jp/magazine/37640 OBSのシーントランジション設定でカッコよく画面を切り替える方法 https //shifa-channel.com/obs-transition/ Streamlabs OBSでソースを追加・編集して、画面を映す方法 https //vip-jikkyo.net/slobs-sources トランジション素材を自作して設定する方法。スティンガーに透過付き動画を登録して配信演出を付けよう https //arutora.com/21798 DaVinci ResolveをめぐるトラブルシューティングFAQまとめ https //vook.vc/n/1697 【Davinci Resolve 16】対応ファイル形式一覧！読み込めないファイルはどうすれば？ https //aketama.work/dr16-file-type AllTemplates shared by sean ファイル https //www.mediafire.com/folder/0wh5oa8ll1b2c/AllTemplates お荷物のサイズとお届け先の都道府県 https //form.008008.jp/mitumori/PKZI0100Action_doSearch.action 白色のペンキ ターナー色彩 アクリル絵具 ミルクペイント スノーホワイト ニスが塗ってある机に対する接着剤 ターナー色彩 メディウム ミルクペイント マルチプライマー 200ml 仕上げ用のニス 和信ペイント 水性ウレタンニス 屋内木部用 高品質・高耐久・食品衛生法適合 透明クリヤー 130ml コテバケ ハンディ・クラウン INNOVA ワンタッチコテバケ セット 150 osu!をインストールしてプレイするまでの手順（導入方法） http //game2ji.com/osu-install/ ナレッジベース https //osu.ppy.sh/wiki/ja/Installation Aeron Chairs ハーマンミラーストア 編集の概要 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-Introduction-to-Editing.zip 技術 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-The-Art-of-Color-Grading.zip Mini Panel https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-DaVinci-Resolve-Mini-Panel.zip グラフィック https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-and-Graphics.zip Fusionの3D VFX https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-in-3D.zip オーディオ制作 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-1.zip Fairlightのオーディオ制作 href="https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-2.zip メディアの管理 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Managing-Media.zip コンテンツの書き出し https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Delivering-Content.zip LUTSダウンロード https //www.colorgradingcentral.com/free-luts-download-davinci/ あなたの動画をシネマ風に！ 無料のLUT をまとめて129選ご紹介します https //www.shutterstock.com/ja/blog/129-free-cinematic-luts 1 2 3 4 5 6 7 8 動画説明 DaVinci Resolve トランジションを追加できない時の対処法 DaVinci Resolve トランジションを追加できない時の対処法 About DaVinci Resolve 18 The free DaVinci Resolve 18 includes all of the same high quality processing as DaVinci Resolve 18 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18 Studio. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library management DaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. What's new in DaVinci Resolve 18 Features marked with * are in progress and may change before the final release. Key Features • Blackmagic Cloud to host and manage cloud-based project libraries. • Collaborate securely over the internet using Blackmagic ID. • Upload and review on Presentations with synced markers and comments.* • Support for intelligent path mapping to relink files automatically. • Vastly improved project library performance for network workflows. • Improved project performance, especially when working with large projects. • New Proxy Generator app for auto-creating proxies within watch folders. • Ability to choose between prioritizing proxies or camera originals. • Proxy files in subfolders are automatically assigned in the media pool. Media Edit • Support for reversing shape, iris and wipe transitions in the edit page. • New subtitle improvements including - Support for timed text TTML, XML and embedded MXF/IMF subtitles. - Ability to view and import subtitles from media storage. - Support for relinking subtitle clips from the media pool. - Subtitle region support with multiple simultaneous captions per track. - Set individual presets, text positions and intuitively edit between regions. - Add, rename and manage regions from the timeline context menu. - Ability to import, export and embed multiple subtitle tracks as TTML. • Support for showing up to 25 simultaneous multicam angles on the viewer. • Edit Index now shows clip duration. • Ability to navigate keyframes outside trimmed clip extents. • Ability to navigate retime keyframes using hotkeys. • Smart bin filter for disabled timelines. • Render in place and open in Fusion actions can be assigned shortcuts. • Reset Fusion composition now works on multiple clip selections. Color • New object mask capability in Magic Mask. • Adjustment clips and Fusion generators can bypass color management. • Support for syncing clip groups in remote grading sessions. • Ability to trigger bidirectional tracking from advanced and mini panels. • Support for matte finesse and 3D qualifier in advanced and mini panels. • Dolby Vision highlight clipping support in advanced panels. • Support for bypassing color outputs from advanced panels. • Add key mixers with auto-connected key outs from advanced panels. • ACES support for Blackmagic Gen 5 camera formats. • Support for the HDR Vivid standard. • Reference gamut compression enabled by default in ACES 1.3. Resolve FX • New Resolve FX Depth Map to generate 3D depth based keys in Studio. • New Resolve FX Fast Noise. • New Resolve FX Despill. • New Resolve FX Surface Tracker for tracking warped surfaces in Studio. • Improved Resolve FX Beauty with new ultra mode. • Improved edge strength and filter controls in Resolve FX Edge Detection. • Option to composite from a second input in Resolve FX Transform. • New bokeh preset for Resolve FX Lens Reflections. • Green-purple control for Resolve FX Chromatic Aberration. • Sizing awareness option in Resolve FX lens flare and radial zoom blurs. Fairlight • Ability to convert fixed bus projects to FlexBus in project settings. • Ability to freely order tracks and buses in the mixer via the track index. • Ability to nudge custom millisecond or sub-frame intervals in the timeline. • Improved quality for time stretched audio. • Improved Dolby Atmos immersive mixing, including binaural monitoring. • Native support for Dolby Atmos production for Linux and Apple silicon. • Independent controls to enable automation and expose parameters. • Improved behavior of automated tracks under VCA control. • Improved meters with configurable decay, peak hold and display modes. • Ability to ctrl-alt click to remove gain and elastic wave keyframes. • Ability to double click a clip in the timeline to rename. • Ability to set record clip name prefix at a per-track level. • Support for renaming underlying tracks when renaming a linked group. • Equalizers with improved Q controls and mouse wheel inputs. • Dynamics with enhanced metering, gain display and enable controls. • Dynamics with improved dry mix, soft knee and metering in FlexBus. • Improved plugin management with replace and copy settings in the mixer. • New built in presets for equalizers and dynamics. • Hold shift and double click clips to extend the edit selection range. • Support for applying audio gain on range selection. • Improved waveform display accuracy under crossfades. • Origination time metadata is now persisted when bouncing mix to track. • Option to trim from unity on the Fairlight Desktop Console. • Support for VCA and bus spill on the Fairlight Desktop Console. • Support for using the Fairlight Desktop Console on Linux systems. • Studio monitoring support for FlexBus on consoles. • Fairlight console option to mute speakers on timeline load. • Support for chasing timecode via Fairlight audio interfaces. • Support for user views in the Fairlight Desktop Console. • Improved mapping for audio effects on the Audio Editor panel. • Ability to use alt + solo to invoke solo safe in the Audio Editor panel. • Support for a new clear mutes action in the timeline menu. • Enabling track mixer controls brings window to focus if already open. • Grid and list modes are persisted for patch, bus and VCA assign. Fusion • Multi-button mode selection in inspector for multiple tools. • Support for all modern and future python 3 versions for scripting. • Support for live previews when using the Text+ color picker. • Multiple new composition blend modes. • New expression animated Custom Poly modifier for masks and strokes. • Faster GPU accelerated paint tool with smoother strokes. • Faster duplicate tool with additional blur, glow and size controls. • Improved fade-on and text ripple title performance. • Improved performance for night vision, glitch, TV and other effects. Codecs • Support for video uploads to internet accounts using custom presets. • Support for encoding mono and stereo MP3 audio. • New HyperDeck export preset in the Quick Export and deliver page. • Ability to render individual clips with timeline effects. • Ability to embed Blackmagic RAW metadata in QuickTime renders. • Custom quality and profile media management options where available. • Support for rendering Dolby Vision compatible H.265 clips. • Support for decoding CMYK format TIFF files. • Support for record date and time metadata for JPEG stills. • Alpha channel support in the IO Encode Plugin SDK. • Support for RED SDK 8.2.2. • New 1440p YouTube preset. • Render option to override ACES gamut compression for round trips. • Main10 is now the default H.265 encoding profile on Mac. General • Support for 10-bit viewers on Windows and Linux in Studio. • Stream video output to remote monitoring in Windows and Linux in Studio. • Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro. • Support for Korean localizations in DaVinci Resolve. • PostgreSQL 13 is now bundled with Project Server. • Support for desktop notifications for collaboration chat. • User preference to import Finder tags as clip keywords on Mac. • Support for importing and exporting Final Cut Pro v1.10 XMLs. • Ability to unlink Dropbox comment and marker sync for timelines. • Playback and render now prevents Mac systems from sleeping. • Support for per-system project working paths in collaboration and cloud. • Support for per-system render cache mode in collaboration and cloud. • Support for setting current project settings as default. • Scripting API support for creating Fusion compositions. • Scripting API support for exporting project archives. • Scripting API support to get and set timeline start timecode. • Scripting API support to detect stale media bins and refresh them. • Scripting API support for updating camera raw sidecar files. • General performance and stability improvements. Intelligent path mapping to relink files automatically DaVinci Resolve 18 has the ability to automatically map and manage paths between users and machines using cloud based project libraries. This ability is enabled by default in the project settings. Once the first user adds media to a project, every additional user or machine only needs to perform a relink to their shared copy of the media. DaVinci Resolve will automatically map these paths so that the media does not go offline for other users. Users can also manually manage shared locations between users and machines. In order to do this, the first user adds a shared media location to the project settings. This could be a shared cloud folder using a service such as Dropbox or Google Drive. Every additional user can then either just relink their footage, or open project settings and set their local path to that media location. New Proxy Generator app to auto-create proxies in watch folders DaVinci Resolve 18 includes a new Proxy Generator app. You can assign one or multiple watch folders to the Proxy Generator. The Proxy Generator app will scan and automatically generate QuickTime proxies with the selected codec in a Proxy subfolder. When importing media into DaVinci Resolve, any proxies found in these subfolders are automatically linked and assigned as proxies in the media pool. This happens even if the proxies are generated after importing the media to the media pool. Improved Proxy Handling DaVinci Resolve 18 allows the user ability to prefer proxies or prefer camera originals. Depending on the setting chosen in the Playback menu, the selected clip type will be prioritized if both proxies and originals are available. Resolve FX Depth Map for depth keying and grading Resolve FX Depth Map generates a depth alpha channel using the DaVinci Neural Engine, allowing you to separate backgrounds, isolate objects at specific depths and create fog, portrait mode and other distance effects. From the effects library in color page, you can apply Depth Map to a node, enable Depth Map Preview to view results, adjust limits, isolate specific depths and finesse results. You can also disable preview, enable OFX alpha and use the alpha output in subsequent nodes. Resolve FX Surface Tracker for tracking warped surfaces The new Resolve FX Surface Tracker in DaVinci Resolve Studio applies textures or effects to flexible and deformable moving surfaces. If the texture you would like to apply has transparency, you should drag the plugin as an FX node rather than apply it on a corrector node. • The bounds tab allows you to select/create a region where you would like to apply the texture. Additional bounds and holes can be added to define complex surfaces. • The mesh tab allows you to establish a mesh over the surface you would like to track. This acts as the starting point for the tracking. • The track tab is where the analysis is performed. You can adjust the motion range for fast-moving objects and the rigidity of the mesh. • The result tab allows you to control how you would like to use the warped surface for warping or compositing content. Improved Resolve FX Beauty with new ultra beauty mode. The ultra beauty mode, now the default setting for Resolve FX Beauty allows for stronger filtering and more natural results. This more powerful effect can even help with smoothing object surfaces, and even some compression artifacts. Convert fixed bus projects to FlexBus Older fixed bus projects can be converted to FlexBus projects by unchecking the use fixed bus mapping control in project settings under Fairlight. This action permanently converts the project's timelines to FlexBus and cannot be undone. Ordering tracks and buses from the track index You can now drag and drop tracks and buses to freely change order in the track index. This order will be reflected in the meters, mixers and the fader panels. You can choose between a single scrollable view or a split view with a fixed section, indicated by an adjustable split point. Configuring meters decay, peak hold and display modes. Fairlight meters now have a Digital VU mode with combined VU and Peak levels in FlexBus projects. From the Project Settings, under Fairlight, you can select IEC 60268-18, Digital VU, or define your own custom levels, scale and decay. Improved plugin management in the mixer You can now copy settings for pan, EQ, dynamics and third party plugins between tracks and buses in the mixer. This can be invoked in multiple ways • Context menus in the plugin dialog or in the mixer graphs of pan, EQ and dynamics. • Hotkeys Shift+Control+C Shift+Control+V (Shift+Command in Mac OS). • Mixer strip header context menus for full channel settings. Improved Python 3 Support The automatic detection of installed Python versions for scripting has been updated to check for default installations for Python 3.3 to 3.10 (and future versions). If set, the PYTHONHOME environment variable (or the explicit PYTHON3HOME and PYTHON2HOME if you have both installed) will be considered. To explicitly override the version used by DaVinci Resolve and Fusion Studio, you can set FUSION_Python3_Home (formerly FUSION_Python36_Home) to point to the base folder. Expression animated Custom Poly modifiers You can now quickly create and animate Fusion masks and strokes using custom poly modifiers. In addition to common expressions, the Custom Poly supports these functions and variables • (px,py) for the current point on the source poly. • disp for the point's displacement on the poly. • index and num for the current point's index (zero-based) and total number of points. • getx(disp), gety(disp) to access polyline values from specific displacements. - getx_at(disp,time), gety_at(disp,time) for displacements and times. - Use get2, get3 variations for additional inputs. • get[rgba][bdwm](x,y) to access image channels with optional black/duplicate/wrapped/mirrored results. Support for 10-bit viewers on Windows and Linux in Studio. In Preferences, under General, DaVinci Resolve Studio now allows enabling 10-bit precision in viewers in Windows and Linux. You will need a capable Nvidia or AMD graphics card, up to date drivers and a 10-bit capable display. Stream video output to remote monitoring in Windows and Linux in Studio. DaVinci Resolve Studio now supports the ability to stream your video monitoring output to a remote Blackmagic Design video monitoring device. This requires • A Windows and Linux Studio system with an Nvidia graphics card. • Remote Studio clients with a Blackmagic design monitoring device. • Windows and Linux clients need an Nvidia graphics card. On the streaming server, you can allow remote streaming connections in Davinci Resolve Preferences under General. By default, TCP port 16410 is used for streaming connections. On the client, go to the Applications folder on Mac or the Windows start menu to the DaVinci Resolve folder, and run the DaVinci Remote Monitoring application. Set the IP address of the server machine. Configure your DeckLink or UltraStudio card on the client machine and press start. The streaming server can now accept the incoming connection prompt and start streaming its monitoring output to remote clients. Currently, remote streaming reflects the cut, edit, color and deliver viewers. It streams stereo audio and does not show overlays or scopes on the client side. Mac OS clients are limited to 8-bit 4 2 0 video formats. Pre-Installation Notes • PostgreSQL 9.0 is the minimum supported version. • PostgreSQL 13 is the recommended version. • 10-bit viewers on Windows Linux needs a capable graphics card and display. Minimum system requirements • Windows 10 Creators Update. • 16 GB of system memory. 32 GB when using Fusion. • Blackmagic Design Desktop Video 10.4.1 or later. • Integrated GPU or discrete GPU with at least 2 GB of VRAM. • GPU which supports OpenCL 1.2 or CUDA 11. • NVIDIA/AMD/Intel GPU Driver version – as required by your GPU. Installing DaVinci Resolve software Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts. Migrating legacy Fairlight projects to DaVinci Resolve In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system https //downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve. Additional information Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/. You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/. © 2001-2022 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer. Updated April 27, 2022.
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Elric Melnibone and The Elder Scrolls (ElricM) 最終更新日 2009-09-25 タグ #E *サイト Mod作成 Mod沢山 おすすめ 英語サイト 概要 Mod集積サイト。 トップページ http //www.elricm.com/index.htm Mod等のダウンロード http //www.elricm.com/nuke/html/modules.php?op=modload name=Downloads file=index req=viewdownload cid=4 Mod等を種類別に分けたページ。検索も可能。検索結果にOblivionのModも混じってしまうのが難。 TESCSのチュートリアル http //www.elricm.com/nuke/html/index.php?name=Sections req=listarticles secid=3 フォーラム http //www.elricm.com/nuke/html/modules.php?op=modload name=PNphpBB2 file=index コメント欄 アンチウィルスソフトによってはElricMにつなごうとすると騒ぐ場合があるみたいだけど、誤検出らしいよ。公式フォーラム -- Possible Viral infection on several site's heads up !。公式フォーラム -- Trojan Horse at Elric of Melnibone? What's up?。 (ElricMに悪意のあるコードが埋め込まれていた模様) -- 管理人 (2009-08-30 10 11 00) ElricMはスーパーハッカーにより悪意のあるコードが埋め込まれている模様。ソースは公式フォーラム -- ElricM Virus。ElricMの管理者でもサイトを落とすことができないらしい。つまり汚染は除去されていない上にアクセス可能という状態。直るまでアクセスしないように。 -- 管理人 (2009-09-22 17 20 10) ElricMの問題は修正された模様。ただし悪いことをした奴が舞い戻ってこないとも限らないので、ウィルス等に注意。 -- 管理人 (2009-09-25 09 07 08) 名前 コメント
https://w.atwiki.jp/mainichi-matome/pages/7559.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Professor splits hairs over pubic profiles教授、プロファイルのため陰毛を根掘り葉掘りする 参考資料 拡散状況 関連ページ Professor splits hairs over pubic profiles 教授、プロファイルのため陰毛を根掘り葉掘りする 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20040824p2g00m0dm999000c 0 Professor splits hairs over pubic profiles 2004,8,24 Asahi Geino 8/26 教授、プロファイルのため陰毛を根掘り葉掘りする 2004,8,24 アサヒ芸能 8/26 1 "Women s pubic hair is normally shaped like an inverted triangle, but some is oblong or elliptic-shaped," pubic hair researcher Kosai Jumon tells Asahi Geino (8/26), adding that the shape of a woman s "underhair" often determines her sexual proclivities. 「女性の陰毛は通常逆三角形型をしていますが、長方形のものや楕円型のものもあります」と、陰毛研究家・樹門幸宰はアサヒ芸能(8/26)に語り、女性の「下の毛」の形はしばしばその女性の性的嗜好を決定づけると付け加える。 2 "It s not rare for women with elongated pubic hair to be the types who fall in love at first site and soon become passionate. They re not the types who re happy shut up in the home. They may cause those around them to worry about them a little. But that devilish side to them is what makes them so attractive to men." 「長い陰毛の女性が、一目惚れしてすぐに情熱的になるタイプであることは、珍しいことではありません。彼女たちは家の中に閉じ込められて幸せでいるタイプではありません。周囲の人達をちょっと心配させることを、彼女たちはすることもあります。しかし彼女たちのその悪魔的側面こそが、彼女たちを男にとって魅力的にするものなのです。 3 Jumon s recently released book "Tamashi Yura Ageman (Rising Fortunes of the Soul)" categorizes women s pubic hair into five types, each of which purportedly determines its owner s fortune. 最近発売された樹門の本「タマシイ ユラ アゲマン(魂の幸運さを上昇させる)」(*1)女性の陰毛を5種類に分類していて、それぞれの種類がそれを生やしている女性の運命を定めるらしい。 4 Viewing crotch coverings is supposed to determine whether a woman will make a good wife who makes her man happy or a virago who makes her husband s life hell on earth. 足の付根を覆うものを見ることで、その女性が夫を幸せにする良き妻となるか、あるいは夫の人生を生き地獄にするガミガミ女となるかどうかが、わかるのだそうだ。 5 Jumon says that the frisky types with elongated pubic hairstyles are not the only types of mound mustaches that require some consideration. Those with mountain delta type minge, where the pattern of the mop resembles the mouth of a river, are said to be hyper-infidels. 長い陰毛を持つ奔放なタイプだけが、検討を必要とする陰唇のまわりのボウボウのオケケではない、と樹門はいう。 山のようなデルタタイプ――その毛の生え方は河口に似ている――の女性器を持った人たちは、あまりにも不道徳だそうだ。 6 Jumon says that most Oriental women s pubic hair is shaped in what he calls the standard-type, which is an inverted triangle. 東洋の女性の陰毛はほとんど、彼が呼ぶところの標準型、すなわち逆三角形型である。 7 "It shows endurance and indicates suitability for married life. They have everything they need for enduring such home-like activities as childbirth, child-raising and caring for their husband or parents," Jumon tells Asahi Geino. "I don t think it s saying too much to say that it is these standard-type women who helped raise Japan to glory." 「これは忍耐を示し、結婚生活に向いていることの指標となっています。たとえば出産や育児、夫や義母・義父の世話などの、家庭的な行動に対する忍耐に必要なものを、彼女たちはすべて持っています」と樹門はアサヒ芸能に語る。 日本を復興させて栄光を与えるのに役立ったのは、これら標準タイプの女性たちだと言っても過言ではない、と私は思います」 8 Jumon, 70, says that years of experience with a variety of women alerted him to the finding that sexual prowess differed according to their pubic hairdo. 70歳の樹門は、様々な女性との数年間の経験によって、性的能力は陰毛の形によって異なることに彼は警戒するようになった、という。 9 "Studying intensively while I was young and building up experience led me to refer to the pubic hair area as The Zone, and I gradually learned everything about it," he says. 若かった頃熱心に学んだことと経験を積み重ねたことで、私は陰毛が生えている部分を『ゾーン』と呼ぶようになり、私はそれについてあらゆることを次第に学んできました」と彼は言う。 10 Jumon divides The Zone into five sub-zones endurance, attachment, action, emotion and receptivity -- the shape of each determines a woman s sexual persona. Jumon claims the average Japanese woman s pubic hair is a standard-type, inverted triangle shape where the base extends for 9 centimeters and it runs the same length from top to bottom, with the mean length of hairs being 7.5 centimeters. 樹門は「ゾーン」を、さらなる5つの小さなゾーン、忍耐ゾーン・愛執ゾーン・行動ゾーン・情緒ゾーン・歓待ゾーンに分割した。それぞれの形によって女性の性的イメージが規定されるのだ。 樹門は主張する。平均的な日本人女性の陰毛は標準型、逆三角形の形状で、毛根は9センチの長さにおよび上から下まで同じ長さだけ生えていて、そのためヘアの長さは7.5センチメートルということになるのだそうだ。 11 "A perfect wife has a clearly defined endurance sub-zone and slight traits of a receptivity sub-zone. Put simply, this means she doesn t care a great deal about things like ethics or morals. A woman with pubic hair like this would be able to bear a lot, but also have a sexual side that allowed for unbridled wantonness," the pubic hair expert tells Asahi Geino. "In short, hair like this would indicate a good wife during the day who turns into a whore a night." August 24, 2004 「完璧な妻は、くっきりと明確な忍耐ゾーンと、歓待ゾーンの特徴をほんの少し、持っています。つまりこのことは、その女性が倫理や品行方正さに重きを置かないことを意味します。このような陰毛を持った女性はいろいろなことを我慢できますが、奔放な浮気をゆるす性的側面もあります」と、この陰毛専門家はアサヒ芸能に語る。 「要するに、このような毛は、昼は良妻だが夜は娼婦に変わるということを示唆しています」 2004年8月24日 参考資料 樹門幸宰 http //www.e-tamayura.com/ 拡散状況 Blogger：その他 部分転載：http //nudistguide.blogspot.com/2008/10/womens-pubic-hair-determines.html http //thegirlgirl.blogspot.com/2007/09/womens-pubic-hair-determines.html イタリア語のサイト ｈｔｔｐ //claudiocaprara.ilcannocchiale.it/2004/09/01/peli_e_personalita.html(*2) 英語サイト ｈｔｔｐ //www.advrider.com/forums/showthread.php?t=50766(*3) http //www.buzzlife.com/forums/showthread.php?p=2516697#post2516697 http //masalatalk.com/masalaboard/showthread.php?t=207663 http //masalatalk.com/masalaboard/showthread.php?t=87765 http //pervscan.com/2004/09/09/professor-splits-hairs-over-pubic-profiles/ http //sgforums.com/forums/2427/topics/205848 http //www.upstandingfuckingcitizens.com/showthread.php?t=12581 http //www.weirdspot.com/index.php/weblog/womens_pubic_hair_determines_personality/ http //www.zgeek.com/forum/showthread.php?t=21573 関連ページ Blogger：その他 WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：U WaiWaiの記事を転載した英語サイト：W WaiWaiの記事を転載した英語サイト：Z 毎日新聞英語版から配信された記事2004年 記事が及ぼした影響
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Japan becoming 'paradise' to growing numbers of Nigerians「日本は増加するナイジェリア人たちの『楽園』となりつつある」 拡散状況 関連ページ Japan becoming paradise to growing numbers of Nigerians 「日本は増加するナイジェリア人たちの『楽園』となりつつある」 元記事（削除済み）：http //mdn.mainichi-msn.co.jp/waiwai/archive/ news/2005/12/20051217p2g00m0dm005000c.html About five or six years ago, black men, who described themselves, to anyone who enquired, as "American," began appearing on the streets of Kabukicho, working as touts for topless bars and casinos. 5、6年前の話だ、黒人で、誰かに聞かれれば「自分はアメリカ人だ」と話す人々が歌舞伎町の道に現れだした。 彼らはトップレスバーやカジノの客引きとして働いていた。 Actually, reports Tokusatsu Shinsengumi (1/7), they were Nigerians, and groups of them can now be found each night not only in Tokyo s major drinking areas, but in neighboring Yokohama and Saitama as well. 特冊新鮮組(1/7)が報じるところによると、実際には彼らはナイジェリア人であり、その一派が東京のメジャーな飲み屋街はおろか、横浜や埼玉にも夜な夜な現れるという。 With a population of some 135 million in a land area roughly 2.5 times that of Japan, Nigeria is the world s ninth most densely populated country, with roughly 20 percent of Africa s population south of the Sahara. 人口135万人が東京の2.5倍の土地に住む。ナイジェリアは世界第九位の人口密集国だ。アフリカの南サハラにおける人口のおよそ20パーセントを占める。 "It s a big country with all kinds of people," says a Nigerian bar operator in Kabukicho. "They can t make it to Japan without having at least some money. Many people in other parts of Africa don t have enough to buy a ticket." 「日本はあらゆる人種が集まる大きな国だ。」歌舞伎町にあるナイジェリア人バーの店長は言う。 「ほとんどの人はなけなしの金でなんとか日本にたどり着く。 多くのアフリカ人は日本に来るためのチケットすら満足に買えない」 Nigerians in Japan toil at a wide variety of occupations as construction workers; painters; in auto junkyards; and in the service sector. But as many speak English, they find work in entertainment areas. Some come to Japan following the footsteps of other relatives, who send them money for their journey. 日本に来て、ナイジェリア人はあらゆる種類のきつい仕事を請け負っている。建設現場の作業員や、塗装工や中古品売りやサービス業などだ。 しかし彼らは英語が話せるのに、娯楽系の分野で働き口を見つける。 彼らの中には旅費を仕送りした係累を追って来日するものがいる。 Tokusatsu Shinsengumi supposes the figure may be considerably higher. 特冊新鮮組はもっと上級者と言えるようなタイプを想定している。 "I picked up a Japanese woman on the street and was able to get her to marry me right away," boasts a Nigerian street tout who said he s been in Japan for eight years. "It s my ticket to stay in Japan." 「道ばたで日本人の女性をつかまえて、すぐに俺と結婚させたよ」８年前から日本にいるというナイジェリア人の客引きはそう自慢げに話す。 「俺が日本にいられるためのチケットなのさ」 Another common approach is to meet young women in foreigners clubs and discos in Roppongi or Akasaka and get them pregnant, the aim being marriage and legal resident status. There is even a site now on the Internet for Japanese women married to Nigerians that provides information on recipes for traditional foods, culture and customs, as well as offering a forum for airing concerns. 日本に滞在するための手段は他に、六本木や赤坂の外人クラブで若い日本人女性と出会って彼女らを妊娠させることだ。その意味は、結婚し合法的に日本に滞在することにある。 インターネット上には、ナイジェリア人と結婚した日本人女性向けのナイジェリア郷土料理や文化、習慣に関するホームページがあり、それらを知らしめるフォーラムすらも存在する。 拡散状況 英語サイト 部分転載：http //www.asiafinest.com/forum/index.php?showtopic=59475 http //www.bigdaikon.org/board/viewtopic.php?f=1 t=60301 http //www.gaforum.org/showthread.php?t=132737 http //www.nigeriavillagesquare.com/articles/nvs/japan-becoming-paradise-to-growing-numbers-of-nige.html http //www.niggermania.net/forums/showthread.php?t=8377 部分転載：http //soompi.com/forums/index.php?showtopic=33257 部分転載：http //www.stormfront.org/forum/showthread.php/japan-becoming-paradise-growing-numbers-268864.html http //www.thephora.net/forum/showthread.php?t=3663 http //www.vnnforum.com/showthread.php?t=79659 http //www.vnnforum.com/showthread.php?t=29657 部分転載：ｈｔｔｐ //americandomination.xanga.com/439528854/item/ 部分転載：http //forums.yellowworld.org/showthread.php?t=28330 関連ページ WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：T WaiWaiの記事を転載した英語サイト：V WaiWaiの記事を転載した英語サイト：X WaiWaiの記事を転載した英語サイト：Y 問合せ先一覧 毎日新聞英語版から配信された記事2005年
https://w.atwiki.jp/kofxii/pages/19.html
■ 2008AMショー関連 ・2008 AMショーでのトレイラー ・youtube ・niconico動画 http //www.nicovideo.jp/watch/sm4676341 http //www.nicovideo.jp/watch/sm4674280 http //www.nicovideo.jp/watch/sm4674238 http //www.nicovideo.jp/watch/sm4674128 http //www.nicovideo.jp/watch/sm4674393 http //www.nicovideo.jp/watch/sm4679271 ・その他 http //gigazine.net/index.php?/news/comments/20080918_kof_xii_movie/ http //eyevio.jp/movie/168361) http //zoome.jp/mizoguchi/diary/1/ http //ameblo.jp/gemgemmania/entry-10141427789.html ■AOU2008の動画(HDトレーラー) http //www.gametrailers.com/player/30832.html ■おまけ パリからやってきた熱い漢 in AMショー2008